Revision of thesis about Winter’s Bone and the Southern Gothic.

Post the revision of your thesis paragraph as a comment under your original entry.

It should reflect an understanding of what the dominant characteristics of the southern gothic genre are: 1)Gloomy, mysterious sense of place 2)Haunting (by an Other) 3)It articulates larger cultural anxieties.

You should articulate your understanding of the southern gothic elements in the film, not simply say that it is southern gothic, but explain what’s gothic about it? AND how does thinking about it as southern gothic help you read the film?

Remember: Avoid the “reality trap.” This is neither a documentary, nor a mirror to the world. It’s fiction. The southern gothic is a genre of story telling.

Missouri, by the way, is not the deep south. Look at map: the southern part is southern, and the northern part of the state is midwestern.

In addition to revising your thesis paragraph, read the following three short pieces. Next week we’ll talk about poverty, the middle class and American attitudes about both.

1. How Do You Define Middle Class?

2. Everyone In America is Even More Broke Than You Think

3. The Lion’s Code: Becoming Men and Women for Others

Thesis about Winter’s Bone and The Southern Gothic

For your blog response this week, write a working thesis paragraph about Winter’s Bone and The Southern Gothic. Remember, that an effective thesis has to develop analysis, not observation. What’s the “so what” of your thesis? How does thinking about The Southern Gothic help you develop an understanding of the film’s representation of gender and class power dynamics?

DUE: By 11:59PM Wednesday, November 6.

Thesis revision must be posted before class on Tuesday November 12.

Pariah and the oppositional gaze

Blog a response to Pariah, from the perspective that hooks articulates as the oppositional gaze. Think about how you might view the film from this perspective: it’s a critical and deliberate one, so anyone can engage in it–even if it’s not your own personal experience. Think about the oppositional gaze as a viewing strategy that is both resistant and creative.

Try to start off with hook’s discussion of the oppositional gaze as a challenge to oppressive forms of erasure and discursive violence, and as a way to create spaces for self-representation and the formation of black female subjectivity.

How does the film resist dominant forms of knowledge about black women, and what does it create instead?

Please note the the lower cases in bell hooks’s name are deliberate.

Pariah: Thematic analysis

After watching the film, please post your responses here. Think about the figure of the pariah (the outsider/outcast) and how she’s presented to us. What effects does identifying with a pariah have on the viewer? What kind of conversations does it begin?

As you watch the film: take notes on three formal elements: image, sound, and time.
Image: how does the film visually present the characters, plot, and setting? Take note of color, light, composition, depth of field, contrasts, focal points.
Sound: listen to dialogue, music (the score as well as music that’s part of the narrative–called diegetic sound), other sound effects.
Time: take note of editing. This includes the length of scenes, the sequencing of shots, as well as the pacing. How does time feel?

Please remember that blog posts are due before the start of the class in which they are discussed. Whatever you do, please do not miss class in order to write one, or turn one in during class time.