A Day Without a Mexican (2004)

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In the 2004 film A Day Without a Mexican the director plays with the concept of disappearing all Mexicans in the United States. Although racists, anti-immigrant(anti-Mexican) rhetoric seems to have been re-popularized by the Trump campaign, this film does well to show just how vital the Latino (working) immigrant class is in the United States. Although the relationship between the United States and Mexico seems to be one-sided, that is Mexico is heavily dependent on its cross-country counterpart, this film examines the dependency the US economy has on the Latino labor force and forces its viewers to imagine what life might be like (if the tea party’s dream came true) and there was a day without a Mexican.

The scenes at the beginning of the film depicted commonly held beliefs about what Latino immigrants bring to the US. The blonde anti-immigrant protestor did beautifully in the news segment to describe what these immigrants mean to the United States of America. “We are Americans. Simply defending our land and our values from those who would cross the border that border without permission. White people are disappearing and its our country. They come here and take our job, get on welfare, and bring their drugs into this country…and steal. Steal our way of life.” This anti-immigrant protestor’s beliefs shed a light on the racism and ignorance that permeates through white society on the topic of the Latino immigration. Senator Abercrombie also does well to highlight the ignorance and goes a step further by showing the dependence he has of Mexicans in his personal life. He angrily confronts his wife for hiring “illegal Mexicans from Honduras and Guatemala” while being served breakfast by his maid, a Mexican immigrant who cooks him a Mexican dish. His Nanny is such an important part of his life that she is entrusted with cooking his meals and even scolds him about staying on his diet.

To contrast the beginning of the film society is thrown into a state of panic when it is discovered that “family members, trusted workers, and businesses owners” have disappeared off the face of the Earth. The farmer interviewed by the news station understands the importance of immigrant labor. “California depends on these people to make these fields work”. This is only one example of the dependence the American economy has on the Latino worker. On a more personal level Senator Abercrombie’s home is thrown into a panic when it is discovered that their nanny Catalina did not show up to their home to complete the many tasks she is responsible for. “There’s nor fresh juice, there’s no clean clothes, there’s no lunch. Where did she put the peanut butter?!” California is thrown into such a state of panic that a State of Emergency is put into affect, showing just how vital the Latino immigrant is to the infrastructure of the United States.

I am the son of someone who crossed the border illegally, attained citizenship and started his own business as a gardener. I am proud of everything my parents have done to give me a better life and I know the struggles they went through in a country as unwelcoming as the US. I enjoyed this film because it shows just how important Mexicans are in keeping the US machine going.

A Day Without a Mexican

Water and Power (2013)

 

Water and PowerThe story of Water and Power takes place one night in the city of Los Angeles.  The performances of Enrique Murciano as Water, Nicholas Gonzalez as Power and Emilio Rivera as Norte Sur are powerful even though the advancement of the storyline was unnecessarily complex and it required thoughtful viewing.  The two brothers were raised by their father, a Department of Water and Power employee.  The twin boys were nicknamed Water and Power and raised to believe they could not exist without each other.  Their father prophesized that the boys would one day decide where the water and power would go in the city of Los Angeles.  There are many notable symbols, intriguing dialogue and messages throughout the film as well as stereotypes.

This film explores the life of two Chicanos that have become “successful” in the city of the angels.   Water, the senator is serving his community and plans to provide jobs and a green space in the city near the river.  Power is a ranking officer in the LAPD.  He is surrounded by and involved in LAPD corruption.  This fact is made plan as LAPD is portrayed as a gang riding in a police vehicle, drinking, smoking weed and displaying symbols of profanity.  The story takes place one night late in the City of Los Angeles.  Power is held up in a seedy motel room with drugs, guns, the LAPD murder book and a demonic image on a television set that indicates that programming has ended for the night.   He is visited by Norte/Sur who is in a wheel chair and his brother, Water.  Power has crossed the line and Water and Norte/Sur try to circumvent Power’s demise.  This film is about men only and women are noticeably absent from the main storyline.  The portrayal of women is suspect as women appear as strippers, foul mouthed and more masculine than feminine.  Although the storyline is dramatic there are comedic scenes and elements of irony throughout.  Mr. Norte/Sur is referred to as “MapQuest” as he carries out a number of errands all over the county in his wheelchair without a car.

There are many shots of scenery special to Angelenos only.  As a matter of fact there is a line in the movie that says “L.A. is not for everyone”.  The film displays a wall mural that says “We are not a minority”.  This is a powerful message for me because people of color always have a label of less than and I myself grew up with this message and need to make a conscious effort to avoid this reference when speaking of people of color.  There is also a line that is repeated throughout the film that recognizes the uncertainty of power in the city and the twists and turns in the storyline.  The line is “Nothing is concrete in Los Angeles accept the river”. 

There are many symbols to be recognized in the film and I invite the reader to provide their opinion on the meaning.  There is a male deer that appears in the most unlikely places.  He appears in city traffic, on a painting in the home where Power shoots Escobar, the deer also appears as a stuffed head mount in Turnball’s apartment and as a tattoo on Power’s chest.   The number 13 appears on television for Channel 13; the number B13 appears on the back of a police vehicle and the number 13 is tattooed on Power’s chest.  These symbols clearly mean something.   Each scene is packed with props, dialogue and acting that add to the story. 

The story of Water and Power is intriguing and different as the Chicano brothers are successful and are assimilated into the mainstream culture.  Ironically, in that culture, corruption is the key to success. 

Water and Power both carry out the stereotype of the Latino machismo.   However, unlike the stereotypical gang member or drug dealer, these men are successful, achieving the American dream.  However, eventually they have to succumb to the great white savior, Turnball.  The stereotype of the “white gaze” is evident.  In a film that is literally and figuratively dark, the character of Turnball is literally a bright light.  If you missed this stark contrast, you cannot miss the ultimate humiliation that Water endures while he literally washes Turnball’s feet.  This behavior pays homage to “what America’s mainstream expects from minorities” discussed in the article, Who is Exactly Living La Vida Loca?

 

 

 

Spanglish (2004)

Spanglish

The movie I watched was the 2004 film called Spanglish.  It was a very entertaining movie.  This movie is about an immigrant single mother named Flor Moreno.  She has a young daughter named Cristina.  Flor’s cousin finds her work as a housekeeper for a financially well-off white family named the Clasky’s.  Deb and John Clasky represent the typical white family that live in a nice house with their two children, Bernice and Georgie.  Flor doesn’t speak any English and in the movie you can see that language sometimes does become a barrier.  To try and fit in Flor, eventually does learn English.  Throughout the movie Flor realizes just how different this new life is.

One of the main themes that this movie deals with is the issue of multiculturalism in the United States.  Flor Moreno represents the Hispanic culture that struggles to remain authentic in a multicultural society.  The movie shows the importance of maintaining your culture and not losing one’s identity.  Throughout the movie you see how hard Flor tries to keep her daughter, Cristina, to not forget who she is.

When Flor first moves to Los Angeles she is shocked and surprised by everyone speaking English around her. She doesn’t feel very comfortable.  She wants to raise her daughter in an area where she feels more “at home”.  She wants an area where she can teach her about her Hispanic culture.  She finds a mostly Hispanic area and she instantly feels happier and she finds a place to live there.

Once she gets the housekeeping job with the Clasky’s, Flor sees a lot of differences between the way she is raising Cristina and how they are raising their two children.  There is one scene where Deb Clasky decides to take Cristina out shopping without asking Flor’s permission.  Flor gets very upset when she learns her daughter is gone.  She expresses her unhappiness to Mr. Clasky.  Deb returns with Cristina, who now has pink streaks in her hair.  Flor gets upset at Deb.  First for taking her daughter without asking and second for letting her alter her hair.  In the movie there is one scene where Deb buys her daughter, Bernice, clothes one size too small.  She tells her daughter that she could basically fit into them if she exercises.  This upsets Flor.  No mom should be telling their daughter that they are fat.  Flor starts realizing that she is beginning to get disconnected from her own daughter.  Cristina is the daughter that Deb has always wanted: skinny, beautiful and smart.

Flor starts feeling as though she is losing her daughter.  Once they move to the beach house with the Clasky’s, Flor sees the excitement on Cristina’s face.  Deb even convinces Flor to put Cristina into a private school, much to Flor’s dismay.  Flor feels as though her daughter is being influenced too much by “white culture” and she is not happy.

At the end Flor decides to quit her job in order to keep Cristina in the Hispanic culture.  It is very important to Flor that Cristina never forgets her heritage.  Cristina is very upset at this because she wants to continue going to her private school and be with her friends.  She gets very angry at her mother.  Flor then in Spanish asks her, “Is what you want for yourself…to become someone very different than me?”  Cristina thinks and realizes that she loves her mother too much and doesn’t want to be anything else other than her mother’s daughter – a child raised within the Hispanic culture and tradition.

IMDb Link to Spanglish

The Three Burials of Melquiades Estrada (2005)

 

This movie is very interesting and complex. It runs through a gamut of humanitarian issues. I though at first this movie was comical but it turns out to be a serious plot with funny aspects. The Three Burials of Melquiades Estrada is about a friendship between an immigrant cowboy named Melquiades (Mel) Estrada and Pete Perkins, a white ranch foreman  in Odessa ,Texas, who hires Melquiades as a ranch hand. Their friendship grew so strong that Melquiades made Pete promise him that if he were to die in Texas, Pete would bury him in his hometown in Jimenez, Mexico. When an arrogant and abusive newly hired border patrol Mike Norton kills Melquiades at the ranch he buries him in the desert so no one would know he killed him. Two men find his body while they are hunting coyotes and they discovery the coyote was eating Melquiades’ body. The county sheriff Frank Belmont of Cibolo, Texas refuses to release the body to Pete because he is not a relative and buries Melquiades in the town cemetery, since the sheriff did not know Mel’s last name , he decides to name him Mel Mexico on his tombstone.  This angers Pete and his journey begins to find out who killed him and take Mel’s body back to Mexico. Pete does find out it was the border patrol Mike Norton and he kidnaps him in order to assist Pete in taking Mel’s decaying body back to Jimenez.

Mike Norton and the sheriff Belmont were racist and discriminatory against Mexican immigrants and treated them with disrespect. In a scene where a group of Mexican immigrants were crossing the desert into Texas illegally border patrol Mike hit a woman for running away and trying to protect her brother. The film showed Mexicans trying to better their lives by looking for work opportunities in Texas and were mistreated by authorities and looked down on. The story of a white man honoring his Mexican friend was very touching and it showed that not all white Americans are brutal and racist. As the film played on and the observer seen the commitment Pete had to Mel and why it was so important to keep his promise. For Mike, although a tough journey he found his redemption in the end and realized that he needed to change with the help of Pete threatening to kill him if he did not say sorry to Mel for killing him. They had traveled through Texas desert on horseback and into Mexico’s mountainous area and found out that the town of Jimenez did not exist and that Melquiades story of a wife and kids were not true. In the end, Pete did find an area that Mel had described as Jimenez and Pete and Mike buried him there.

In Mexico, the natives looked poor and had clothes on that were worn out and the area was desolate, dry and no real farming areas. One can imagine why Mexican’s would make the horrible trip to the United States and risk their lives in the process, it is because if they stayed they would have nothing anyway. They did have a small cantina, a few homes, and old cars that were not working. Poverty there was much more dire there than poverty in the US. This film makes one think about the courage the immigrants have to risk getting brutally beat up by the border patrol or die of thirst because of the treacherous terrains of the desert. When they can make it safely to the city, they are mistreated by people because of the way they look or speak and the stereotypes people in the US have of Mexicans. If the stereotypes are true to an extent, we as a society should think why are they there? Maybe they drink because they have no other coping skills, maybe they are portrayed as lazy because of the heat they do not work mid-day. We need to be more compassionate to other people’s struggles as this film shows Pete being compassionate to Melquiades by offering him a job and forming a friendship.

 

 

Crashing at the Intersection of Class, Gender and Race

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When we speak of Intersectionality, we are forced to not only interweave the oppression in society that includes classism, sexism, ageism, and racism but also how they are continuously affected by one another. As an IDS Major I often wonder what can be learned from our prejudiced notions that we have acquired throughout our lifetime and how does the social construct of race affect the world around us? What stereotypes are we conditioned to believe that they have become almost just knee jerk reactions to daily events?

In the 2004 movie entitled Crashwe become engulfed in the perspectives of different types of people whose lives are touched by the racial and social class discrimination that is unavoidable in a city as diverse as Los Angeles is. Diversity in a city could very well be seen as an asset, and you’d think that we could get along with each other in a more communal way. However, when you consider the context of which this movie is set in, we can see that the aftermath of 9/11 has clearly played a role in the development of the plot and characters for this film.

The film starts off with a car crash that Ria (Jennifer Esposito) and Detective Graham Waters (Don Cheadle) are involved in with an Asian driver. Ria insists that the accusatory Asian driver is only blaming her because she couldn’t see over the steering wheel. In her broken English the Asian driver says that Ria should have braked which she mispronounces as “blake”. Ria takes this and runs with it and greets the Asian driver with derision and contempt.  This opening to the movie is only the very beginning of a film that explores a myriad of other possibilities, all of which are open to interpretation based on one’s cultural and ethnic background.

In a subsequent scene, Anthony (Ludacris) and Peter Waters (Larenz Tate), 2 African American men are shown leaving a bustling restaurant when they start up a conversation about discrimination and how they were not served coffee like all the other white patrons. Anthony says they were not served the coffee because they were not going to tip because they are “black”. Even though the waitress was also African American Anthony says that she discriminates against her own race. He wonders why they shouldn’t be scared when they are in a neighborhood where they are outnumbered by “over caffeinated white people, patrolled by the trigger happy LAPD”. Peter replies that they are not scared because they have guns and they proceed to car jack a white couple, Rick and Jean Cabot (Sandra Bullock and Jason Fraser). This particular scene is disturbing because the very stereotypes that these two African American men are so aware of and trying to avoid, are the same stereotypes that they play into. It’s almost like they are just trying to live up to those standards set forth for them by the society that they live in. If they are so bothered by it, why not change it? Like many situations, it is easier said than done. The fact of the matter remains that even though they are fully aware of the prejudice that African American men face, their lives have led them down this path to where they see no other option but to car jack people for money, drugs, or whatever the case may be. There are other factors in this situation that may be lying under the surface if we just take a closer look. Perhaps poverty, lack of education, and other types of limitations have led up to this one action. Instead of generalizing so much maybe we should ask more as to why and how this situation came to be.

One thing is for certain, when a person of a different ethnicity/race hurts us in some way, it is possible that we can internalize this event and develop a negative connotation that leads to othering. This is shown in the following 2 clips where Jean Cabot who has been car jacked is now scared that the guy who comes to change the locks at her house may come back to rob her home. It is also exemplified in the clip where wealthy, African American, Christine and Cameron Thayer (Thandie Newton and Terrence Howard) have been harassed by the police officers on the street and now generalize that all “pigs” are racist and corrupt. A discourse for this new type of racism post 9/11 is necessary to say the least.  At the intersection of the Class, Race, and Gender, where all these issues collide perhaps we should make a conscious decision to judge based on individual character and integrity rather than continuing the endless cycle of phenotyping that our society has ingrained in us.

 

On Twitter @jess_miller_310

 

Stereotypes Make For A Successful Series

Cultural and ethnic groups possess a profound system of history and traditional practices that determine its existence. These groups preserve their way of life by passing on the knowledge of cultural beliefs to young and developing generations. For an individual who is uninformed of a specific ethnic group, one gathers information on the subject matter through various sources. These sources can include historically documented text or mainstream media outlets such as news or film. Yet, one can adopt a limited perception of a specific ethnic group when absorbing the misinformation that is broadcasted through the bias lens of the Hollywood film industry. Additionally, the misinformation that is projected to mass viewers is prolonged through the support of the audience. Specifically, the Latina/o television viewers indulge as they may relate to the Hollywood infused image of the Latina/o community.

Jane the Virgin is a television series about a young woman, Jane, on a focused trajectory to be successful in a prospective teaching career and in love. Jane is raised and living with her grandmother and young single mother. As Jane is in a relationship, she intends on abstaining until she is married. Despite Jane’s dedication to sexual celibacy, she accidently becomes pregnant at a routine doctor visit as she is artificially inseminated by her physician. Characters of the television series are all somehow connected to Jane and her accidental pregnancy. The complex connection between characters and events occur in a telenovela (television novel) like format all the while displaying stereotypical behavior of Latina/o culture. The pilot show of the television series opens with a flashback of Jane’s catholic-rigid grandmother speaking to a child age Jane of the importance of Jane’s virginity. With her teenage mother lacking interest in the backdrop of this scene, Jane’s grandmother uses a flower to give a visual impression of the topic. She has Jane crumple a flower and asks to have the flower look as it did before having squeezed it in her hands per Jane’s grandmother’s request. After attempting this, Jane then tells her grandmother that she is unable to restore the flower to its original form to which the grandmother replies, “and that’s what happens when you lose your virginity, you can never go back.” The grandmother’s emphasis on Jane’s chastity may stem from her inability to prevent her own daughter from becoming the young single mother as depicted in the series. The episode then progresses thirteen years later into a much older Jane who is romantically involved, but manages to be an abstinent young woman. Following a superficially intimate encounter with her significant other, Jane joins her mother and grandmother in the living room to watch a telenovela, which Jane’s grandmother seems to indulge.

These examples of stereotypical Latina/o behavior along with the displays of religious implications, romance and dramatic love triangles/infidelity that unfolds throughout the episode is a misrepresentation of a culture that is fabricated by the Hollywood film industry. Additionally, the show’s success is owed to its telenovela like platform of multiple story lines involving numerous personalities and outcomes.
“They are a cultural touchstone, especially for Spanish speakers across the globe. Popular story arcs like long-lost family members resonate with Latinos whose families may have emigrated. Religious references will appear in several of these series, another touchstone to the predominantly Catholic Latino population.” (The Power of the Telenovela). As Jane the Virgin exhibits the Latina/o stereotype, its viewers endorse the television show’s interpretation of the Latina/o culture as its audiences seem to connect with the themes.

Reference links

Jane the Virgin Series

Latinos Love Telenovela

Drum Roll Please… Introducing Jennifer Aguirre

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Heyyyyyyyyyyy…

My name is Jennifer Aguirre and I am currently in my next to last semester here at CSUDH, majoring in the IDS/PACE program. Like some of my predecessors I, too, like the IDS program because it takes into account real life situations and makes accommodations for working adults who are serious about furthering their education. Throughout my semesters attending CSUDH, I have learned many new and interesting tidbits of information that have made a positive impact in my thought process, personal interactions, and in the workplace.

I was particularly interested in taking this class because it gives me a chance to explore my roots within the confines of my own little world, never really having to leave the comfort of my “safe place”. Growing up my mother tried to raise us with the most multicultural and colorblind way of thinking that was possible during the times, and while I am most appreciative of this open-minded and welcoming mindset, conversely I feel that a great disservice was dealt to me and my siblings because we have no point of reference within our own culture. We jokingly claim to others that we are “too White to be Mexican and too Mexican to be White.” Having just celebrated the big 3-0 and dating an UBER-mexican (well, to me anyway) I felt that perhaps it was time to start exploring the things that define and categorize me in this world.

As part of the Millennial Generation, I am not new to the world of blogging, Facebook, Instagram, Twitter, etc, and my handle is @JenAg86. You are more than welcome to follow me if you choose to do so. I am interested in seeing how the use of this blog/hashtag will affect those who follow us.

Looking forward to working with you all!