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Reading assignment for Wednesday, April 18, 2012. Your reply (under Comments) is due before class. Your response should demonstrate you’ve done and thought about the readings. Be sure to check and make sure your response posts.

Cherríe Moraga, A Xicana Codex of Changing Consciousness (163 – 199)

What is your response to Moraga’s positions on President Obama’s election, marriage equality and transgendered people? What do you see her as arguing for or against?

Do you agree that there’s a lack of political and social movement in the present day? If you see social movement, where do you see them? Who are the leaders? Has Moraga missed “something” in her discussion of “back in the day.” What do you think her vision of Aztlán is and how does your generation of people of color fit into it?

Do you see universities the same way Moraga does? What role do you see universities as having in your life? In the lives of your communities? As sites of social change? What do you imagine the difference between Stanford (where Cherríe Moraga teaches), UC Berkeley (whose Ethnic Studies department she discusses) and Loyola Marymount are?

What vision, if any, of Chicana / women of color feminism does Moraga’s work offer?

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Xicana Codex (2)

Reading assignment for Monday April 16, 2012. Your reply (under Comments) is due before class. Your response should demonstrate you’ve done and thought about both of the readings. Be sure to check and make sure your response posts.

Cherríe Moraga, A Xicana Codex of Changing Consciousness (79-162)

Based on your readings this semester on textual communities and print culture, what does Moraga’s writing reveal about the construction of communal texts, anthologies and performances? How much ownership do we have of our writing? How much debt to others? What do you think of Moraga’s decision not to contribute to This Bridge We Call Home?

On a more personal level, do you think Moraga is right about how she and Anzaldúa could have resolved their differences? Do you agree with her reading of Anzaldúa’s writing as having more to do with vision of the ideal than the more concrete politics of process?