All Women DJ Collective Standing For A Cause

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In “The Verse of the Godfather”, the third chapter in “Next of Kin” by Richard T. Rodríguez, there is an analysis of the Chicano hip hop scene and how it portrays La Raza. Hip hop is made up of many different elements which include “graffiti, urban aesthetics, break dancing, DJ technologies, and, particularly in a Chicano context, tattooing.” A lot of these elements focus on men. Women tend to be underrepresented in these elements. While they are underrepresented, women have and are still very involved in hip hop and it’s many elements.

One of the elements of hip hop that women are still very involved in is DJing. In the article “Meet the Latina DJ Crews Fighting Cultural Erasure, One 45 at a Time” by Michelle Threadgould, two all women DJ collectives are the focus. Chulitas Vinyl Club and The B-Side Brujitas are women’s DJ collectives that “are creating a positive space for their community to do the hard work of healing.” The healing the community is doing is against police brutality and gentrification. While the two collectives do not play hip hop music, they are spreading a message similar to that which many early hip hop DJs were putting across. Chulitas Vinyl Club and The B-Side Brujitas are two groups trying to bring notice to the issues their communities in the Bay Area face. These two groups relate to the reading because they show that women can actually represent and be a part of the hip hop movement. These groups show that women are able to get a message across similar to the way men do through rapping. Chulitas Vinyl Club and The B-Side Brujitas are two examples of how women can be part of hip hop and end the misrepresentation.

Article link:

https://ww2.kqed.org/arts/2016/07/20/meet-the-latina-dj-crews-fighting-cultural-erasure-one-45-at-a-time/

Dia De Los Muertos and its popularity

I came across this article and found it both uplifting and curious because it raised certain questions that I never thought to think about. Growing up we never really celebrated Dia de los Muertos but my mother did tell me about it because every year we would visit Mexico in October. The concept of celebrating love ones who have passed instead of morning and mopping over them is amazing. What I found most interesting about this is how the article portrays the Day of the Dead as a “cool holiday.” That concerns me in several ways because lately main street media has revamped the holiday. Disney will release “Coco” in fall 2017 and they base it on Day of the Dead. They also announced that they would be trade marking the phase “Dia de los Muertos” for “various merchandising applications” —-I just hit a wall and fell when I found out!! But of course the Latino community had an up roar about it and they stopped the giant before he would walk away with that idea. Don’t get me wrong, I think its “cool” that people are so interested in our cultures tradition. It’s a great way for them to understand us and appreciate all we have to offer, but when is it too much? I know that the doll franchise “Monster High” came out with a doll who reflects the day of the dead. She looks fashionable but I only hope the audience its intended for understands it. In conclusion I hope we don’t over kill the Day of the Dead and instead show people all the marvelous things it has to offer, both spiritually and physically.

Wallstreet journal http://www.wsj.com/articles/SB10001424052702303843104579167982472259344

Disney Trademark
http://www.theflama.com/mixed-feelings-about-pixar-releasing-coco-a-film-about-dia-de-los-muer-1448630854.html

The Chicana/o Rap Revolution

I have never been familiar with the rap genre, let alone Chicana/o rap. All I ever really knew was that the genre was developed for and by underrepresented communities of color. In chapter three of Next of Kin, author Richard Rodriguez talks about the development and impact that Chicana/o rap has had towards various cultures and generations. Chicana/o rap has not had much commercial success mainly because artists within the genre are not major names such as Snoop Dogg, Ice Cube, and Tupac Shakir (Rodriguez, 101). A lot of times people even question this type of rap because they do cannot relate to its message or significance. Rodriguez also makes the argument that although Chicana/o rap was supposed to bring awareness to the marginalized community, it still carries strong misogynistic messages and bashing towards individuals within their own group. Although I do agree with what he is trying to say, I feel like the ‘mainstream’ rap tends to do the exact same thing. In modern days, both ‘mainstream’ rap and Chicana/o rap have distanced themselves from the original social justice topics that people would use to communicate suffering and mistreatments among underrepresented communities. Women are often referred to in a dehumanizing matter so I do not know what makes both types of rap any different. If Chicana/o rap wants to be more successful and memorable, then I think it should be more inclusive and political towards events that are going on in our society today. Maybe there will be a change in audience and attention. Why would the mainstream be anymore appealing than the other? Why do you think it is so common (AND ACCEPTED) that rap focuses on women in such a negative way? Do you think people would find rap less appealing if it got more political and serious? What does the audience find so amusing about homophobia and sexism within rap music? Do you think the audience even understands what homophobia and sexism is and how it negatively affects our society?

Deconstructing Chicano/Latino Rap

In this weeks reading, Ch 3, author Richard Rodriguez focuses on Chicano/Latino Rap culture “…seeking to address the politics of masculinity and working class identity in relation to the family and Chicano nationalism as mobilizing forces within a contemporary popular culture frame” (96). Rodriguez discusses how Chicano rap and hip hop culture  perpetuate this idea of heteropatriarchy (sexism and homophobia) in the community. He critiques various Chicano rappers, notably Kid Frost’s music, showing how the lyrics are ethnically and male centered, marginalizing other communities of color, gay community, and women. One example that Rodriguez uses to prove his claim that Chicano/Latino Rap is rooted in heteropatriarchy is by comparing Kid Frost’s lyrical content with Corky Gonzales’ poem, “I Am Joaquin,” noting the similarities of how both works are directly associated with Chicano Nationalism and how both steadily use “La Raza” as a mechanism to bring male unity, which gives us a sense that this unity is among males, straight males that is, not gays or lesbians, or women-but, hyper masculine men. In short, he shows how Chicano rap culture can be male centered/hyper masculine placing straight males at the center, dangeroulsy not acknowledging women, gay community, or other people of color, placing them in a inferior position.

While he challenges Chicano rap culture and how it perpetuates heteropatriarchy (homophobia and sexism), Rodriguez also acknowledges the importance of rap and hip hop artists who create spaces for discourse addressing the sociopolitical injustices happening in the community. However, as Rodriguez notes, Chicano rap culture doesn’t have to overcompensate when it comes to manhood; they do not need to be hard, or tough gangstas to be a man. Or, when it comes to La Raza, it shouldn’t mean that only the “homies or homeboys or bros” can claim it. La Raza is about men and women uniting together, not just “males, preferably with gansta leanings” (121).

Questions: What are some other examples that Rodriguez uses to address heteropatriarchy in Chicano Rap?

Do you agree that Chicano rap which overcompensates the Chicano identity loses perspective audiences?

Do you agree with Rodriguez position on Chicano Rap???

Do you think Rappers/Hip hop Artists are even conscious of their homophobia and sexism in their music? Or is it simply about the dollars, and they could give a rats a$$ about how it influences our youth or perpetuates these systems of oppression?