[This is the exact text of my talk. You can download a pdf version of all the slides: NACCS though I haven’t been able to reach Maria Teresa Fernandez to get her permission to repost them to the internet. She did give me permission to use them in my research when I spoke to her at USC in 2010. If anyone has a current email address for her, please send it to me at annemarie (dot) perez (at) me (dot) com ]
“for those who dream of roses / swallow thorns”: Aztlán as Cosmopolitical Space
I’ve included in this talk a photographs by Mexican artist Maria Teresa Fernandez. She’s documented the building of the Wall between the US and Mexico and the increasing militarization of the border. These first images are about the demise of Friendship Park, the point where the US and Mexico meet the Pacific ocean. Here’s the park as it was, a space for meeting friends and family on the other side.
Here it is as the barricade was erected in 2009, creating a yards wide distance between US residents and the border fence, dividing people.
New rules are in place forbidding contact that was, until recently, relatively casual and free.
Modern usage of the term Aztlán dates from the 1960s-1970s civil rights movements. . The poet Alturista gave Aztlán’s mythology in his poem introducing the journal Aztlan… Read the rest
[In celebration of my dissertation being accepted today by my university’s library, I’m put up its abstract. Don’t worry, I’m probably not going to post the whole thing.]
Title: ”Splitting Aztlán: American Resistance and Chicana Visions of a Radical Utopia”
My dissertation researches American resistance movements, focusing on nineteenth-century Transcendentalism and the Chicano/a movements of the 1960s through 1990s. It is concerned specifically with the emergence of Chicano/a literature from the late nineteenth century through the twentieth century, especially Chicana authorship and editorship as part of a tradition of U.S. resistance literature.
The 1960s was a period of renewed interest in the literature of American Transcendentalist communities, especially the writings of David Henry Thoreau regarding resistance and civil disobedience. This re-reading shaped and informed American civil protest literature of the 1960s, including that of the Chicano Movement. Reverberations connect the two periods in the area of non-violent social protest. Further resonances may be heard now between the nineteenth-century suffrage and abolitionist movements and the 1960s civil rights and anti-war movements, as they questioned the United States’ role as an imperial nation — a role begun with the nineteenth-century policy of Manifest Destiny.
The replication of and discursive focus on nation and universalized communities of men, opened space for women as editors and authors. Chicana writers and editors of the late twentieth century, like the protofeminists of the nineteenth-century suffrage movement, split the single “divine soul” by pointing out the contradictions and flaws in a discourse on the nation which presumes only masculine subjects. … Read the rest