While I was at the MALCS Summer Institute I confided in another attendee that I was nervous about the process of creating course syllabi as I’d never done it before. She, an associate professor of Spanish and all around lovely person, enthused that creating a syllabus was fun, and then told me she sometimes writes them to amuse herself.
With her words in mind, I tried to embrace this as an opportunity rather than something to fear. Sure enough, as I sat through the next talk, thinking about Chicana literature (I knew whatever course I came up with would be one focusing on Chicana/o literature), I came up with the idea of the “Chicana/o Gothic” — a course that would explore canonical and recent Chicana/o text through the dark lens of the gothic.
This is what I’ve come up with so far. I’d love to hear what you think — criticism is helpful. This version of the course is being imagined as one offered for a 10 week quarter. I’ve linked the texts I’ve reviewed to the reviews I’ve blogged.
… Read the rest
Bless Me Ultima – Rudolfo Anaya
Calligraphy of the Witch – Alicia Gaspar de Alba
Brides and Sinners in El Chuco – Christine Granados
The Cambridge Companion to Gothic Fiction – Jerrold E. Hogle
The Rain God – Arturo Islas
The Hungry Woman – Cherríe L. Moraga
What You See in the Dark – Manuel Munoz
Demon in the Mirror by by S. Joaquin Rivera
The Hummingbird’s Daughter – Luis Alberto Urea
Gods Go Begging – Alfredo Véa
Is there a Chicana/o Gothic?